Many books that I review end up receiving a star rating in
the vicinity of three. These books are not terrible, but they are not
particularly remarkable either. It’s not surprising that most books fall into
this region of the spectrum. As a reviewer, this leaves me room to move when I
am presented with a book that stands out from the crowd. Fight, by Brent Coffey, is one of those. Here is a writer who knows
how to set a scene, who knows how to build suspense, who knows how to give out
tantalising hints to the reader; and who knows how to surprise the reader.
Fight tells the
story of Gabe Adelaide, the adopted son of a Boston Mafia boss; of Bruce
Hudson, the District Attorney who tried and failed to prosecute him; of August,
the little boy who witnessed his parents’ death, and whom Hudson and his wife
want to adopt. Around these characters is woven a fascinating story of
intrigue, plots, deceit and misunderstanding. The main characters in this story
are complex, many-layered, flawed and utterly believable. As much as this is a
mafia-style thriller, it is also an exploration of how life’s events shape
character. It is a story of loss and redemption. Within the story the
characters carry their burdens, but learn surprising lessons from life. In
presenting some (but by no means all) of the minor characters (particularly the
‘bad guys’) Coffey occasional falls back on stereotypes. But this is not at all
true of the main characters or many of the other minor characters. They behave
and think in ways that are entirely believable.
I had a few quibbles with some of the minor plot points in
the story, which were unconvincing. However these were never central to the
plot, and could easily have been addressed. For example, it was not believable
that the men who were sent at one point to kill Gabe would decide to report to
their father, a powerful mafia boss, that they had been successful when they
were not. He would (and did) quickly learn the truth. This was not at all
important to the plot and I wondered why the author felt it necessary to
include it. In a second example, the way one character was dispatched relied
upon some questionable chemistry. There were a few other similar issues. I also
wondered why the author had chosen the name ‘Adelaide’ for the main mafia
family, when they were clearly intended to have Italian roots. This incongruity
bothered me a little, and seemed completely unnecessary. The choice of St Knox
for the name of the hospital also struck me as odd. To the best of my
knowledge, there has never been a St Knox. Knox is a name associated with
Scottish Calvinism and is unlikely to be used for an ostensibly Catholic
hospital. Attention to some of these details would have added at least half a
star to my rating.
There were also a few grammatical issues and typographical
errors, which seemed to increase in frequency as the story progressed, but
which never became a major concern.
For the faint-hearted I should mention that there is some
graphic violence and strong language to be found here. None of it, in my opinion,
was excessive or gratuitous.
This was a book that I really enjoyed reading. There is
plenty of action and suspense for those who like that kind of thing. However,
there is also a depth to the story and characterisation, and a quality to the
writing, that does not often accompany it.
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