I am always somewhat reluctant to review the first part of
an intended series of books. Just as the story is incomplete, so must the
review be incomplete and provisional. It is difficult to comment on the merits
of a plot which is unfinished. This is the case here.
Lost Innocence is
the first part of an adventure thriller set in Bangkok, Thailand. Michael is a
young, budding artist, who travels to Thailand to sketch the working girls of
Bangkok, before commencing studies at an art school in London. Before long he
finds himself in trouble. He is arrested on trumped up charges for having raped
and beaten an underage girl, and thrown into the notorious Bangkok ‘Hilton’. He
is given the option to pay a substantial fine and be released, or remain in
prison to fight the charges. He decides, on principle, to fight the charges.
While in prison he befriends a convicted drug smuggler, John, who shows him the
ropes.
Michael’s arrest precipitates a rescue mission, first by his
father, Stan, and then by his grandfather, Nigel, a prominent and wealthy
lawyer. Finally, a private detective, Harvey Goulding, is hired to help unravel
the mess. Along with the intrigue and machinations as the drama unfolds, the
author sketches the complex and not entirely harmonious relationships between
the three generations of men.
Palmer does an excellent job of taking the reader inside the
Thai prison and legal system. He also provides a convincing account of the
Bangkok sex industry. The story is interesting, although I was never quite
convinced by Michael’s determination to fight the charges rather than pay the
fine, given the horrific conditions to which he is subjected. Neither his
motivation—a rather vague sense of principle—nor his strength of character
seemed to warrant this. The generational interactions are potentially
interesting, but we are not given sufficient back story to understand the
strained relationships, particularly between the father and grandfather.
Neither of these men was particularly likeable. Their wives, left behind in
England, play only a minor role and, again, we are not given enough background
to understand these relationships. There are moments when the story
morphs—perhaps not surprisingly, given the setting—into a kind of soft porn,
which is well written if a little predictable.
The author makes the unwise decision to narrate Michael’s
part of the narrative in the first person, and the rest from various third
person points of view. The choice is strange because, after the early chapters,
Michael plays very little part in the story. Locked up in prison, the capacity of
this character to move the story along is very limited. It is true that Michael’s
personal account of his arrest and his time in prison is very vivid, but I
think this could have been achieved just as effectively with an intimate, third
person narrative.
The introduction of the private detective into the story
provides a lift, but comes rather late in the narrative. His Thai female assistant,
Bo, is probably one of the most interesting characters, and certainly the only
female character to be given more than a bit role.
There are times when the grammar, and particularly the
punctuation, are rather poor here. And there is a moment that made me cringe
when we are presented with a dreadful, caricatured German accent.
This is not a bad start to the series. I think it would have
been reasonable in this first volume to expect more back story, particularly
concerning the father and grandfather, which would have leant more credibility to
the conflicts between them. It will be interesting to see where the author
takes this in future. I give it three and a half stars, rounding it down to
three where necessary.
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